'Emilia Pérez' Won Big at the 2025 Golden Globes – Here's Why the Internet Is Outraged

While some wins from the 2025 Golden Globes are all over our social media, like Demi Moore and Fernanda Torres’ history-making wins for Best Actress, there’s one movie that’s not receiving the praise expected from fans: Emilia Pérez. The movie, which won five major awards last night including Best Motion Picture — Musical or Comedy and Best Motion Picture — Non-English Language, has been riddled with scandal since the very beginning.

To break down why it’s been criticized by fans, let’s start from the top.

The script, which was loosely adapted from the 2018 novel Écoute by Boris Razon, was written by French director Jacques Audiard. The movie musical tells the story of an uninspired defense lawyer in Mexico City (Zoe Saldaña) who’s hired by cartel kingpin Manitas Del Monte (Karla Sofía Gascón) who asks for her help to fake her own death and help them transition to a woman.

Why Is Emilia Pérez Receiving Backlash?

From the get-go, Mexicans and Latinos alike had a problem with the movie’s production team. After all, not only are the movie’s stars not Mexican – Gascón is Spanish, Saldaña is American with Dominican roots and Selena Gomez is American with Mexican grandparents – but the director himself is French with no connection to Mexico. Plus, Audiard doesn’t speak English or Spanish, just French.

“I didn’t study [Mexico] much,” Audiard said in an interview that’s circulating online. “What I needed to know I already knew a little bit. It was more about the details and we did come a lot to Mexico to see actors, to see places and for decoration.”

In other words, not only does the creator have no connection to the country and its culture, it doesn’t seem like he was overly worried about making his description overly accurate either.

As it turns out, the only Mexican in the cast is Adriana Paz, who played Epifania. Unfortunately, however, Paz was not selected as a Supporting Actress contender for the movie – Saldaña and Gomez were instead.

The trend continues throughout the production team. The composers and songwriters Clément Ducol and Camille, choreographer Damien Jalet, film editor Juliette Welfling, and costume designer Virginie Montel, are all French.

According to native Mexicans, the lack of intention behind the movie shows. From lines of the movie that don’t make sense, to stereotypes that seem all but surface level about Mexican culture, Mexicans seem offended by the portrayal.

“Emilia Pérez made history as winner of Best Motion Picture — Non-English Language for being the first to be written with Google Translater!” one user complained on X. In another post, that’s gone viral on X, Mexicans show their distaste for the Golden Globe wins. “This is a message to the Academy. Mexico hates Emilia Pérez,” it reads. “‘Eurocentrist racist mockery.’ Almost 500,000 dead, and France decides to make a musical. No Mexicans on the crew or cast”

“Emilia Pérez a film about Mexicans, directed by a French man, played by Americans, with a protagonist from Spain, with a synopsis that portrays harmful stereotypes of Mexican/Latin culture, winning best international film seems like a joke,” another tweeted.

Due to the backlash, the movie, which is available on Netflix in the US, still hasn’t been released in Mexico.

The Backlash Sorrounding Selena Gomez

Gomez, who was nominated for Supporting Actress at the Golden Globes, an award that ultimately went to co-star Saldaña, has been the target of criticism too. Per viewers, Gomez’s Spanish throughout the film was lacking, and her acting was hindered because of it.

“Selena is indefensible,” acclaimed Mexican actor Eugenio Derbez said in the Hablando de Cine podcast in December, per Variety. “I [watched Emilia Pérez] with people, and every time she had a scene, we looked at each other to say, ‘Wow, what is this?’”

“I feel like she doesn’t know what she’s saying,” host Gaby Meza added. “If she doesn’t know what she’s saying, she can’t give her acting any nuance.”

 “Spanish is not her main language, not her secondary or fifth,” Derbez added.

At the time, Gomez responded to the comments. “I understand where you are coming from. I’m sorry I did the best I could with the time I was given,” Gomez wrote. “Doesn’t take away from how much work and heart I put into this movie.”

Derbez ended up apologizing too. “Emilia Pérez deserves to be celebrated, not diminished by my thoughtless remarks,” he wrote. “I’m walking away from this with an important lesson learned. While I understand if you cannot accept my apology, please know it comes from the heart.”

The Depiction of the Trans Experience

Another reason Emilia Pérez has found itself in hot water is their portrayal of the trans experience, including their one song about gender-affirming surgery titled “La Vaginoplastia” aka “The Vaginoplasty.”

“Honestly, the ‘vaginoplasty’ number needed to either be toned down significantly or be Rocky Horror balls-to-the-wall outrageous, instead of languishing in some weird middle area,” Them chimed in on Jan. 3.

But the so-called “insensitive” number isn’t the only problem depicted about the trans identity. As Pink News notes, Gascón’s character Emilia is misgendered and deadnamed many times throughout the movie. And, in one point, she sings she’s a “half he, half she.”

In another scene, Emilia’s voice lowers to how it used to be pre-transition during a fight with Jessi. “Viewers were seemingly driven towards believing Emilia was a man underneath her surgery,” the outlet asserted.

Since its release, Mexican and non-Mexicans alike have found numerous reason not to support the movie, which is France’s selection for Foreign Film all award season long. In fact, it’s perhaps one of the reasons of the success of Brazil’s I’m Still Here, which has been embraced by the Latino community as an authentic movie about Latinos made by Latinos. But while Latinos continue to spark their outrage online, it seems Emilia Pérez‘s success will still carry on.

Before you go, click here to see our favorite movies and TV shows about imperfect, complicated women.